
Brand and Marketing Teams
Brand films and campaign work, made with the team that owns the brand and cut for every channel it runs in.
We are a small studio that works like a production company. Every film has a director, a treatment, boards and a grade, and every film is checked frame by frame before it leaves.
AI generation is part of how we shoot, the same way a camera package or a VFX house is part of a traditional production. It lets us put a product on a mountain, a building on an empty block or a campaign into six formats without a crew on the road, and it sits inside a process that any agency producer would recognise.

Brand films and campaign work, made with the team that owns the brand and cut for every channel it runs in.

A production partner for agencies that have the idea and need it made, from treatment to final grade.

Films for things that do not exist yet: buildings before they are built and products before they ship.
It is how a production company runs a job, with generation where the shoot would be.

The idea, the brief and what the film has to do for the brand.

The look, the tone and the references, written and shown before anything is made.

Every shot framed and agreed, so the film is decided on paper first.

Shots made to the boards, take by take, with the same people and product in every frame.

Cut for pace and story, then recut for each format.

One filmic finish across the whole film, with real contrast and fine grain.

Music, sound design and the final mix.

Titles, credits and delivery to the client's specs.
Satellite Studios is a film studio in Melbourne, Australia. We develop, direct and finish brand films, commercials, product films and development films for companies and their agencies. We are the film side of Satellite; our sister company Satellite Digital runs advertising.
AI generation replaces the shoot, not the production. Every film still goes through development, a treatment, storyboards, generation, edit, grade, sound and finishing. Each shot is generated to an approved board, then cut, graded and mixed like any commercial.
A generator gives you clips. A film needs an idea, a treatment, boards, the same people and product held consistent from shot to shot, an edit, a grade, sound design and delivery to spec. That is the work we do, and it is why our films read as one piece rather than a string of generations.
Yes. We build from the references you give us: product photos, packaging, renders, plans and brand guidelines. For Dedicated we started from three phone photos of the brand's weight plates and kept the plates accurate across every shot.
Our films are finished as graded masters, up to 4K, with a proper sound mix, and delivered to the formats a campaign needs: 16:9 for broadcast and online, 9:16 and 4:5 for social. The Island of Gems and our Mercedes spec films were mastered in 4K.
Every film is quoted from the brief. The price depends on the running time, the number of shots, how many formats and cutdowns you need, the number of review rounds, and music and sound. Send us a brief and we will come back with a quote and a schedule.
It depends on the length of the film and the number of review rounds. There is no location, crew or weather to schedule, so the time goes into development, boards and finishing. We give you a schedule with every quote.
The finished film and its cutdowns are delivered to you for your campaign. Ownership and usage rights are confirmed in writing with every quote.
We are based in Melbourne and make films for clients across Australia and overseas, including a Sri Lankan jewellery manufacturer and an apartment development in Colombo marketed to Australian buyers.
Tell us what it is for and when it needs to be out, and we will come back with how we would make it.